I'm
old-fashioned. My teen age years were during the 1950s. (I hear the
wheels clicking in your head as you do the calculations. – No.
It's the calculator app on your tablet or telephone that I hear.) I
grew up with “Father Knows Best” and with the belief that the
nuclear family was the norm. Husband and wife slept in separate
bedsi
and the possibilities of premarital and extramarital sex were
unmentionable.ii
There was, of course, no such thing as homosexuality, so same-sex
marriage wasn't part of the conversation. People and their language
were polite and proper. It was a real, eufunctional,iii
family.
I
was a teen-ager, so my own world was a little racier than what was
depicted on television. Certainly the language I heard was, and so
were the stories about sex. But it wasn't all that much racier. I
went to one of those “special” high schools.iv
There was an emphasis on math and science, and I guess that for most
of the students the concerns were more intellectual and less social.
There was much more of the “social” behavior in college, but even
there people knew that what they were doing and what they were
discussing were outside of societal norms. That provided a lot of
the attraction. But there were still subjects and language which
were taboo in “mixed company.” That was then …v
In
1972 George Carlin introduced his monologue, "Seven
Words You Can Never Say on Television," and everything was out
in the open. For a long time the monologue was delivered only on
recordings or in nightclubs, because censorship and the FCC couldn't
control the content of the acts presented, and Carlin's wordsvi
brought in the crowds and the money, so there was no one in the
business who wanted to limit him. There were some who were
scandalized by his act, but they were powerless to do anything about
it. At best they could only earn temporary limitations on him, but,
ultimately, his words were deemed by the Supreme Court to be
protected by the First Amendment of the Constitution.
But
that was then, and times have changed. This is not meant to suggest
that people acted any differently then as compared to now, only that
people didn't want to hear about it. Human behavior hasn't changed,
but our openness to demonstration and discussion have. At least to a
degree. Now, on network programs, some of the words, and a variety
of suggestions of sexual activity, are the daily fare, along with
plots and characters never appearing during my youth. It's unusual,
for example, to see a few shows without experiencing some crime for
which the criminal doesn't pay, or intimations or admissions that an
important character is gay. In fact, that is often imortant to the
plot, although such a situation was never acknowledged in the “old”
days.
Those,
however, are among the less blatant examples of the changes that have
occurred. Because pay television – cable, satellite, and the like
– are not regulated by the FCC, no limitations are placed on them.
The theory is that a paying customer unhappy with the content will
simply stop paying for it, but that option, they aver, is not open to
someone who doesn't pay – someone who relies on the good taste of
sponsors. I don't approve of much of what is shown either on pay or
on “free” television, but I find the FCC's distinction to be
disingenuous. Someone who dislikes a program for any reason –
including sexual content – is free to turn to another channel and
to let the advertiser know why he is doing so.
Nonetheless,
the content of pay TV often, to use the current jargon, pushes the
envelope even further. What we used to call pornography is the norm,
and Carlin's seven words appear with regularity. If all expletives
were “bleeped,” there would be little remaining in the scripts of
some shows. The audio would be an almost continuous bleep. And if
scenes depicting sex, or those featuring partially or completely
unclothed characters, were absent, there would be a marked reduction
in the video content as well.
But,
to paraphrase the Bard, the plot's the thing, and what plot could be
more appealing than one featuring “America's favorite serial
killer.” That's “Dexter,” one of Showtime's most popular
characters. Admittedly he's a father, but in this case father
doesn't know best. Pornography, graphic language, a serial killervii
– as you guessed, it's largely a comedy. And the title character,
whatever his faults, is lovable.
But
the real problem isn't Dexter. It's us.viii
We not only tolerate this kind of programing, we love it. And with
society's “progress,” only those of us who are old enough
recognize the cultural downturn. Others see it as a reflection of
real life, as they experience and see it in the media every day.ix
Schadenfreude, however, just isn't my thing. I'd
rather live life with father.x
He knows best.
Next
episode: “America – Land of Enchantment” – Back to
budget reduction.
i And
nudity was absolutely inconceivable.
ii “The
Moon is Blue,” which appeared on the screen in 1953, was condemned
by the Motion Picture Production Association. The film, which
contained the words “virgin,” “mistress,” and “pregnant,”
was considered obscene.
iii The
idea of a dysfunctional family hadn't yet been born. At least not
on television. And the word is spelled correctly. I know because I
just made it up.
iv At
that time, back in the age of dinosaurs, “special” suggested
“above average” rather than having the current connotation of
physically or intellectually disadvantaged. (Pardon the attempt,
however successful, of political correctness. I disdain it under
ordinary circumstances but “calling it like it is” [an equally
regrettable term] isn't acceptable at present.)
v There's
no such thing as “mixed company” anymore. We're all equally
amoral or immoral.
vi And
his WORDS.
vii What's
not to like?
viii We?
ix It's
certainly more realistic than the “reality shows” that pollute
television daily.
x Actually
Dexter lives with his dead father supervising and advising.
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